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(Greta is played Brittany Renee, who also plays other parts on Charles’ “everyman”-like journey and who innately grasps all of her characters’ roles.) But Blanchard surely is also interested in probing musically a kind of third way for a Black man journeying back into his own past and trying to decide how to confront its legacy.Buy Fire Shut Up in My Bones Tickets & View the Schedule at Box Office Ticket Sales! Our tickets are 100% verified, delivered fast, and all purchases are secure. Sure, Blanchard is influenced by these American forms and their roots in community he sees their possibility, as manifest by the girlfriend, Greta, in whom he hopes and yet fails to find salvation. It’s always far more than background, but it tends to exempt both Charles and Billie, an expressionistic decision, I think, by a composer whose dominant theme is striking out from the calcified expectations of small-town life and who has a hero constantly referenced in the libretto as being of “peculiar grace.” Under of all that, you feel a bubbling undercurrent of recognizably contemporary music flowing in and out from the specific circumstances of the setting. That’s not quite how it landed with me: Rather, under the baton of Daniela Candillari, you hear Blanchard’s driving confidence in operatic mode, both harmonic and dissident, both aware of European formative precedent and sharply critical in subtle ways. And while it may seem paradoxical, given the theme, Thursday was filled with constant joy.īlanchard’s work is often described as contemporary opera infused with gospel, blues and jazz. Lyric has presented operas about most every subject under the sun but it’s still impossible to imagine this in the repertoire even half a generation ago. Louis in 2019 and thus the Lyric’s production is not just a return to the Midwest but a landing in a city where generations of talented young Black men from small-town Louisiana long have aspired to go, once they’d decided to escape to points north.Īdd to all of that the subject matter of the opera: a prodigiously talented man from Louisiana (Liverman) trying to recover his life following an incident of childhood abuse by a visiting cousin (played by Chris Kenney), a man looking back on his boyhood and confronting both his own shame and his lack of protection by adults, both his brothers and his mother Billie (the soprano Latonia Moore). The piece premiered in a more intimate setting at the Opera of St. Much of this also was true, of course, when “Fire” opened at the Metropolitan Opera in New York last September, with much the same company and creative team. The audience was more diverse than any opening night at this august institution than I’ve ever attended. Will Liverman and company in "Fire Shut Up in My Bones" at Lyric Opera.
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